A few months ago, I really got into the comic work of Jack "The King" Kirby. While I researched what books of his I wanted to look up, Wikipedia directed me to a sort-of remake of a title that Kirby worked on for a while,
The Losers. The Andy Diggle-scripted and Jock-drawn
Losers was entirely different from the original, really only using some of the same character names, but was an incredibly intriguing and entertaining book. I read through the entire thirty-two issue series in a few weeks.
Then I learned that the Vertigo book was being adapted into a movie. This was exciting for me, obviously, though I did fear that the characters would be lost in the film-making process, much like
Daredevil or the more recent adaptation of
The Spirit. Then I learned that it had been rated PG-13, when the comic was fairly R-rated. My fears were again worsened with the first weekend's box office numbers, which did not meet expectations.
I tried to lay aside my fears and enjoy the movie as I entered. I was not disappointed. The movie met my expectations for a good action flick based on a comic.
The film opens with the team's origin story, which was not revealed in the series until quite a ways into its run, though it makes more sense for a movie, I suppose. It runs much more chronologically, with the opening scene of the series coming in at about the one-third mark.
The plot is rather dumbed-down for movie audiences. I don't really understand why, but the movie doesn't delve into the CIA history of the main villain, Max, and simply plays him as "the bad guy". The story simply runs like
The A-Team, unfortunately. But I guess the straight-up action movie works better with a simpler plot, without the complications of a decades-old conspiracy.
The casting is spot-on. Andy Diggle himself agreed with me in a recent tweet that these guys are the Losers. Jeffrey Dean Morgan's Clay was the serious leader-type everyone expected, and Columbus Short was perfectly believable as Pooch. Idris Elba didn't get to explore Roque as much as the series did, which meant that the character developments in the film fall a little flat. Oscar Jaenada made me actually care more about Cougar, since the comic version seemed to me to be not much more than Wolverine (on a good day) with a sniper rifle. Zoe Saldana was simply a perfect Aisha, which I expected. But the best part was Chris Evans. I've loved Evans in nearly every role I've seen him in, (not that he's just the greatest actor, but he's fun to watch) and his Jenkins was easily my favorite part of the movie.
On the flip side, I absolutely hated Jason Patric. Good grief. He played a ridiculous villain, more one that would fit in the Adam West Batman series. The rest of the cast drew enough laughs that Max simply produced confusion and detracted from the atmosphere entirely. I honestly felt like I was watching the Losers take on the Joker. While it's not a serious movie at all, Patric took it too far. Especially since he isn't seen with the rest of the main cast until later in the movie, he acted as if he didn't know what movie he was in.
The stylization of the movie worked to its advantage, with goofy camera angles and freeze-frames that let you know you're not going to be seeing a very down-to-earth story. The comic-booky feel is enhanced by opening sequences and closing credits featuring art by Jock himself.
One of the biggest surprises was the inclusion of several of the best scenes from the comic. As I said, the opening scene of the series is taken almost shot-for-shot from the book. While I thought
Watchmen wasted too much time on this and that it killed the psychology of the movie, it works here. One of the greatest scenes, where Jenkins pretends to be telekinetic, is lifted directly from Diggle and Jock, and it translates well.
All in all, it's a fun, if not amazing, movie, that does its source material justice and serves its purpose: to entertain.
Grade: B-